Flight of fancy: doodle

Airhead reimagined

Fairies plum and apple bright
Tainted tarts of rhubarb grown
Atop grim reaper berries glow
Oh when will the pale girl sing
Forever splotched from juice stains
We lie hidden from drama and dreams
In the half waking light of dawn’s dusk
Abundant fuzzy peaches fly high
Among lemon scented daisy followers
Purple pringles float aimlessly in the void
Awaiting the jaws of oblivion

Forever the fool

Mixed media abstracted

I took a Valium prior to having my first ultrasound-guided steroid injection into my left wrist. The intent was simple: to calm my nerves, as I feared the thought of the procedure.

There was no need for the pre-med before my right wrist injection. Being externally funded, it required only a short, easy drive from home.

Yesterday, however, my husband took me for an ultrasound-guided steroid injection into my right hip. This time, the radiology practice bulk-billed. I didn’t have to pay a $210 gap payment after my Medicare entitlement was applied, though it did mean a 40-minute drive each way to avoid the tolls. I hoped it would provide temporary pain relief and improve the mobility stolen by osteoarthritis.

Until recently, my need for medical procedures had been scant.

My blind trust in the UK’s National Health Service was forged during childhood, built on the back of my mother’s frequent inpatient hospital stays and our regular visits to the family doctor. Whenever Mom, me, and my two younger brothers had health issues, she would march us from our home in Capern Grove, left into Welsh House Farm Road, left again at Tennal Road, and right into Tennal Lane. Our destination was number two: the surgery of Dr Ezzat, who practised out of a converted interwar house built somewhere between 1920 and 1935.

Access was gained through a large timber gate, along a short path bordered by shrubs and trees, and up a couple of steps to an imposing Georgian/Art Deco portalled front door. Immediately inside, patients stood on immaculately polished, dark brown linoleum that ran throughout the building. We reported to a receptionist, summoning her attention by pressing a doorbell mounted on a cream-painted timber and obscure-glazed partition wall. A small sliding hatch would snap open; you announced your name and were told to go to the waiting room on the right.

The high-ceilinged, cream gloss-painted room had two heavily curtained windows to the right and another at the far end. There was a boarded-up fireplace to the left, and a centre table piled with ancient magazines, including Reader’s Digest.

Upon entering, you took your place on the first of many mismatching, dark Thonet bentwood dining chairs lining the room. If there were no chairs available, you stood. They creaked as you sat down and shifted your weight on the small, round, hard relief-patterned seats.

A buzzer proclaimed when the doctor was available for the next patient. The person sitting next to the inner door—on the same wall you had entered through—would get up, open the door, and vanish. Everyone else then moved along one seat, like a sombre game of musical chairs.

It could take a few hours waiting your turn in that gloomy, overheated room filled with crying babies and coughing, sneezing people. Finally, your chance arrived to proceed along a passage behind the records-reception room. You would knock on the doctor’s door, await a muffled ‘Enter’, and step into a bright, white gloss-painted room with a window overlooking the west-facing garden.

The doctor sat at a large, heavy, dark timber desk on the left, beneath a wall-mounted cupboard. You were invited to sit to their left. Dr Ezzat would turn to face you in a dark, padded leather swivel chair that had seen better days. ‘Mother, what can we do for you today?’ he would ask. This ageing, gentle, kind, and direct Egyptian man listened intently. He inspected chests with a cold stethoscope and checked tongues and throats with a routine ‘Say argh’—seemingly his remedy for all ailments.

Exiting past chrome-framed, glazed cabinets housing disturbing-looking medical instruments brought you right back to the entrance. When I grew older, I went to the doctor alone. I trusted him completely and felt safe in his care.

In my teens, however, that safety wavered. I was sent to Selly Oak Hospital in Birmingham for a blood test, likely to check for an iron deficiency. In those days, blood was painfully drawn with a thick syringe. Afterward, I couldn’t wait to escape into the fresh air. I rode the bus home experiencing violent, cold shivering. A profound, lifelong fear of needles was born.

Forever the fool, I assumed this hip steroid procedure would somehow be a similar experience to my wrists. I had researched what to expect and was somewhat surprised when I wasn’t asked to change into a gown. Instead, I was escorted by Damian, who was clad in mid-blue scrubs, straight into a large CT scan room. He briefly explained the procedure: local anaesthetic, followed by a CT-guided injection. I wondered what had happened to the ultrasound-guided version I expected.

I was asked to empty my pockets, leave my bag on a chair, and lie on a bed facing a doughnut-shaped machine. A similarly clothed second person introduced himself as the doctor’s assistant, and then introduced me to the doctor. They all wore the same uniform! The assistant reiterated the process, placed a pillow under my knees, and asked me to pull my loose-fitting shorts to my knees and slide the waistband of my underwear down. This exposed the intended site of the injection: my groin. Bizarrely, I had imagined the needle would go into the outside of my hip.

I was sent in and out of the scanner a few times while a screen above me flashed light shapes against a dark background. Next, a pale blue sterile drape was placed over the site. The doctor explained there would be a sting from the anaesthetic, followed by pressure from the steroid injection that might travel down below my knee.

Following an extremely sharp sting of the local anaesthetic, an unpleasant sensation bloomed in my groin, and I attempted to summon my bravery. Closing my eyes, I wondered if it was too late to back out—if I should just live with the ongoing pain and reduced range of motion. The machine was cranked up to full speed and volume. A strange, food-like odour permeated my nostrils, and I briefly wondered if I was cooking. Suddenly, my leg jolted as the steroid went in, sending my entire body into full tension. The doctor told me I was doing really well. I certainly didn’t feel like it, but he promised it would soon be over.

He noted that the pain relief might last for six to nine months, at which point I could have it repeated.

Once the assistant and Damian helped me sit up, my head went woozy. I told them I felt dizzy and started sweating. That teenage bus ride in Birmingham flashed vividly back into my mind. I was laid back down and asked to move onto a trolley—an unwise manoeuvre in hindsight, considering I was still recovering from carpal tunnel release surgery on my hand just three weeks prior.

I kept my eyes closed while being wheeled down a thankfully refrigerated corridor, praying they would not leave me exposed in the main waiting room. I was rewarded with a tiny, screened-off alcove in a side hallway where there was no rush for me to leave. Retrieving my phone from my bag, which had been dumped on my chest, I called my husband with an update. He was parked nearby and promised to pick me up whenever I was ready.

I gave myself five minutes, sat up, slid on my Birkenstocks, and navigated my way back to the reception area. Clinging to the counter, I waited for a form to sign, called my husband to say I was at the front, and waited to be collected and taken home.

Next time, I will definitely take a Valium beforehand.

Dwarfed

Abstract mixed media

Dwarfed

Meditating, bunnies cerebrally
Trace the tallest peaks, lowest vales
In its gnarled sinuous fissured surface.

An ancient petrified monolith
Hosting microcosms of benign
Coexistence within a mostly
Silent ancient sentinel.

Eons spent photosynthesising poisoned airs
Into breath; croaking, creaking, groaning-
Burdened by arterial routes connecting.

Plagues of embattled humans procreate,
Nesting lengths of engorged dwarfed limbs.

Bunnies ponder, what will happen next?

The journey of the picture began with random blobs of water. The tree evolved from teal watercolour and salt. My husband turned two wooden Easter bunny gifts into stamps.

The picture inspired the poem.

Transmutation

In the face of grim graveness
Babbling buddha Airhead fawns
Transmuting into
La la la happy fairy witch
A golden creature bathed in blinding light
Aside a
Fuzzy bunny familiar
Invokes a voile veil
Gossamer gauze of firmament
Strewn with
Flimsy fragrant garlands

Withering Heights

Imagined bird head doodle

After a couple of appointments we sat sipping Hamiltinis on the balcony. I said, “by the way, I’ve started reading Wuthering Heights by one of the Bronte sisters. It’s on Amazon Prime books, free stuff, classics. I saw the movie decades ago, I love Kate Bush singing, ‘Heathcliff, it’s me a Kathy, come home now, oh oh oh oh ah oh a’”.

I vaguely knew the story as being written in the eighteenth century, people running around on t’ Yorkshire moors.

My husband enquired, “how did she know about the deep south, back then?”

My mind jumped to, being asked a question, need to please; I answered, “astonishing how at a young age, in a remote location, a knowledge of depths of human relationship.”

He persisted, “You know, French and Saunders did a sketch.”

“Ah, you’re thinking about, fiddly de mamie, Gone With the Wind“, I replied.

Much belly laughing followed.

“Well, they were well read”, he responded. “Hm, I agreed”.

Lost in ……

Our dog, Stan appears to become obsessed with licking the same spot on his leg, paw, side, unmentionables.

Telling myself I’m relaxing after a workday, I find myself mindlessly scrolling downwards on Insta and FB. At a breakneck velocity.

When I stop myself to doodle instead, creations appear. Some or parts of them may serve as inspiration for future paintings.

Previously, in an attempt to get things right, I sketched and refined in pencil then inked in. This is a valid approach when drawing something specific.

Most of the time I have no idea what to produce. Sketching with ink and trying not to judge the process or outcome frees my mind to wander. It has built my self confidence in using ink.

Seed pod

I am always amazed by surprises from the universe. Our focus over Yule was our fifteen year old fur child, Stan. He had surgery on 29 December to remove a kidney, spleen, and two benign tumours.

The other day returning after a gentle walk, we slowly climbed the two steps into the side entrance to the building. There amongst the tree and vegetation detritus lay a seed pod. Its markings reminded me of a street map layout.

The inspiration for this mixed media watercolour.

Beware the Bungles

Beware, this
Be where the
Bungles goes.
Can’t tell ears from eyes from nose.
Tales of able sable sailors,
Falling fallow in the shallows.
Fables of tallow tufts, midnight gusts,
And Bungles’ gallows.
So hunker in your bunkers b’low,
Beware, this
Be where the
Bungles goes.