George Street entrance of Anglican, Christ Church St Laurence in the foreground, completed in 1841. Signifying a transition from Old Colonial Gothic to the Free Victorian Gothic style.
Faced with this view along Valentine Street, you could be forgiven for thinking that the 1921, Free Classical style clock tower of Central Station is part of the same building. Pitt Street running parallel to George separates the two sandstone buildings.
The time is nearing 4:00 pm in Sydney, the temperature is a scorching 39oC.
On the way to the bus this morning, these tiny pink flowers among purple leaves, nestled at the base of a tree, caught my eye.
Dreaming last night, I walked through a door into a white painted room. I noticed an ABBA Studios sign on the left hand wall. Turning to look at the sign I realised band members, Björn, Benny, Frida and Agnetha were sitting casually underneath on separate pieces of furniture. While retrieving a mobile phone from my right hip pocket, so that I could take a picture, the artists moved away.
In my mind I could hear the haunting sound of a flute playing the track, Eagle. This song has been with me for almost 40 years, being one of my favourites on ABBA: The Album, released in the UK in 1978. Listening to Eagle always gives flight to the endless possibilities available to me, through my thoughts. The story of my connection with this album is described in Thank you for the music.
Artwork information from Wikipedia
Polar’s official cover featured an entirely white background, and is the basis for current CD versions. However, Epic Records’ original UK release of the LP featured a blue background on the front cover, fading to white at the bottom. It also featured a gatefold sleeve. The back cover was altered, incorporating a similar photo of ABBA to that used elsewhere in the world for the inner sleeve, and referencing tracks included in ABBA: The Movie. The inner gatefold was designed to look like an air mail envelope, similar to the style later used for Gracias Por La Música and even had a photo of ABBA incorporated into a stamp in the corner.
The pruning of the lower branches of this tree has resulted in vertical growth. There are many examples of them in Petersham Park, Sydney, Australia. What a journey we have been on this morning, to find out the definition of this form of pruning! Is it coppicing or pollarding? The Ultimate Practical Guide To Pruning and Training by Richard Bird and multiple Google searches confirm the following:
- Coppicing is the cutting back almost to ground level of all the main shoots of a multi-stemmed tree.
- Pollarding is exactly the same except the cutting takes place at some height above the ground.
Why do it?
This traditional technique enables the growth of larger trees in a small space as well as producing good foliage. The variety of tree and frequency of pruning determines the thickness and most appropriate use for the timber. Thinner frequently pruned Willow branches can be used for basket weaving while thicker Oak branches produced by longer period between prunes can be used for construction.
The backdrop of the Sydney Opera House (SOH) is popular for bridal photographs. Popular vantage points include a small area in front of the Park Hyatt Hotel and the footpath under the Harbour Bridge.
This scene with the SOH in the background and a bride en route to a shoot is commonplace when the weather is fine.
The great thing about not planting the potted colour myself, is being constantly surprised by the blooms. This radiant yellow beauty announced its arrival yesterday.
With Easter being over four months away, I was surprised to see hot cross buns in the local Coles supermarket today (2nd January). They were proudly displayed near the entrance to the shop, between the bread, fruit and vegetables. I didn’t dare look to see if chocolate eggs and bunnies had reached the shelves.
I also noticed a sign near the bread section announcing more produce was being sourced from our home state, NSW (New South Wales). My first reaction was, where was it coming from before. Then I remembered that a couple of years ago there had been allegations of “freshly baked” bread being made in Ireland, frozen and then reheated.
I resisted the temptation of filling the trolley with buns, because we are still enjoying panettone from Christmas. Perhaps hot cross buns are no longer seasonal and have been lurking in the bread section for the last twelve months. It is reassuring to note that these buns contain Aussie fruit, what about the flour yeast, eggs, sugar etc?
Steel sculpture of two paper aeroplanes by Australian sculptor, Jonathan Leahey. The eight metres long planes are located at 249 Adelaide Terrace, Perth.
The challenge of getting the planes airborne flashed through my mind while taking the photograph. I reflected on the upcoming 19th anniversary of our landing in Australia. While we have been back to the UK to visit family and friends a number of times over the years, Australia is our home.
Walking east along Murray Street towards Perth City we came across this spectacular curved mural on a tower attached to what appears to be a multi-storey car park. This work by Mexican artist Favio Martinez Curiot was painted as part of Form‘s Public 2015 festival in April 2015.
Curiot’s street art often depicts mythical creatures blended with animal and human forms. This mural portrays Aztec looking koalas sitting in a gum tree. It is featured in the top ten murals from public street art festival by Widewalls.
PUBLIC, FORM, Perth, Australia, 2015 Image by Ryan Musiello from Favio Martinez Curiot‘s website.
Detail of Ascalon, a contemporary representation of the legend of Saint George and the dragon. It is located in the yard of St. George’s Cathedral, Perth, Australia. The work is designed by Western Australian artists Marcus Canning and Christian de Vietri.
Saint George is the patron saint of England. He is reputed to have slain a dragon in the Middle Ages. The story is likely to have emerged from the Middle East, being carried back to England by the Crusaders.