Untitled bronze sculpture, group of figures by Bert Flugelman, 1964, UNSW Sydney, Australia. Taken while traversing the University campus.
In a previous post I wrote about my dilemma of finding the best way to travel to work on public transport. I think I have the answer.
The M10 from Leichhardt runs around every ten minutes in the morning. The journey time is between 45 minutes and one hour, depending on traffic. This trip pays a dividend in the form of exercise time. Ten minutes walking from home to bus stop on the flat followed by ten minutes through campus, mostly uphill.
According to The Conversation I need to walk at a moderate pace for at least 30 minutes for five days per week. The remaining 10 minutes can be achieved on the trip home by either alighting two stops early or catching buses whose routes don’t pass the end of our road.
Any walking I do during the day is a bonus!
A long Saturday lunch spent listening to the Winter breeze rustling through the leafy trees.
Getting the table ready for a Winter feast.
Blue Line, 1919
Georgia O’Keeffe (1887 – 1984) America.
Oil on canvas.
Part of an exhibition of modernist artists with Margaret Preston and Grace Cossington Smith at the Art Gallery of New South Wales.
The Lacquer Room, 1936
Grace Cossington Smith (1892 – 20 Dec 1984) Sydney, Australia. Oil on paperboard on plywood.
Part of an exhibition of modernist artists with Margaret Preston and Georgia O’Keefe at the Art Gallery of New South Wales.
KADER ATTIA, Untitled, 2014, 116 stained glass fragments, metal screw hooks, and fluorescent fixtures.
Museum of Contemporary Art, Australia
The above is installed in a temporary wall. When entering the one-man show one approaches the back (or is it the front) of the piece. There is a rough, torn out hole in the wall, pieces of plasterboard lie scattered and heaped on the floor. The structure of the wall and the lighting behind the stained glass can be viewed through the hole.
This installation reminded me of a disused church in Worcester, England that had lain empty for a while. Pieces of bottle green and purple coloured glass from the windows, lay on the earth surrounding the building. It was eventually converted into expensive apartments.
These days I usually take pictures with an iPhone 6. The results are good enough for the finger swipe world we live in. The evening I took the above was a special occasion. We had just finished celebrating our friend’s 50th birthday over dinner in the Dining Room, Park Hyatt Sydney. Nestled near the south pylon of the Harbour Bridge, this hotel has one of the best views of the Sydney Opera House.
Thankfully I took the trouble of fishing out my Sony Nex-5N digital SLR camera, ensuring the battery was charged. The clear Winter’s evening and water on top of a wall yielded the jewel of Sydney Harbour and it’s reflection. I used Snapseed app for iPad to sharpen and enhance the structure of the image.
Matthys Gerber, Dove Tail 2013, synthetic polymer paint on wall.
I was wowed by this work on a recent visit to the Museum of Contemporary Art, Sydney, Australia.
Albert Park Lake, Melbourne. This scene was more comfortable from inside the restaurant. I was lucky that a few weak rays of Winter sunshine illuminated the sails at just the right moment.
I used Snapseed for iPad app to accentuate the dark water and bring out the malevolent blue sky.
The trees in Sydney are catching on to the fact that it is Winter.
Winter warmth of russet, orange,
Red, and some brown ‘gainst sky of blue;
Sluggish words rolling off the tongue;
Round sounds linger in the crisp air.