In the spring of 1801, Ludwig van Beethoven completed the ballet, the Creatures of Prometheus based on Salvatore Viganò’s storyline.

The ballet premiered on 28 March 1801 at the Burgtheater in Vienna with 28 performances. It was premiered in New York at the Park Theatre on 14 June 1808, one of the first full length works by Beethoven to be performed in the United States. It is the only full length ballet by Beethoven.

The Australian premier of Beethoven’s 220 years old music and ballet was a matinee performance on 20 November 2022 at the Twelfth Night Theatre, Brisbane. The ballet was historically reconstructed from the 1801 performance with new choreography by Queenslander, Jayden Grogan.

Lucas D. Lynch, conductor and producer informed the audience he was inspired to share Beethoven’s ballet with Australia after hearing the music for the first time, 14 years earlier.

The plot follows Prometheus stealing fire from Zeus to spark life into two clay figures, thereby creating humankind.

Mostly set on Mount Parnassus, the man and woman encounter a multitude of characters from Greek mythology during their journey from birth through education to their wedding:

  • Apollo (god of music, dance, the Sun, light, and poetry)
  • Amphion (built Thebes with the power of music) playing harp
  • Euterpe (delight) playing flute
  • Orpheus (legendary musician) playing cello
  • Mars (god of war)
  • Melpomene (muse of tragedy)
  • Thalia (one of the three graces)
  • Dionysus (god of the grape-harvest, winemaking, wine, fruit, and theatre)
  • Silenus (drunken god of wine)
  • Pan (god of the wild, rustic music and companion of nymphs)

We were fortunate to be able to enjoy this spectacular production firsthand. The balance of comedy and tragedy against Beethoven’s powerfully sublime music was awe inspiring!

Crinoline and lace

The busy arch filled facade of the block sized Treasury Building, conjures up images of crinoline encased ladies, enshrouded in lace.

This late nineteenth, early twentieth century, Italian Renaissance style, former Queensland state government administration building is faced with sandstone ashlar. It glows warmly while basking in the late afternoon sunshine.

Since 1995 this edifice has housed a casino. When viewed in the early morning, traces of the over rouged lighting strike a discord of grotesque elegance. I wonder what will occupy this grand old lady when the nearby newer model is debuted in late 2022.

Glass House Mountains

Horizonal Glass House Mountains seen across north Moreton Bay from Jamieson Park, Scarborough, Queensland.

Excepts from Wikipedia, below.

‘The Glass House Mountains are a cluster of thirteen hills that rise abruptly from the coastal plain on the Sunshine Coast, Queensland, Australia. They are located near Beerburrum State Forest and Steve Irwin Way. The trip is about one hour from Brisbane.’

‘The Volcanic peaks of the Glass House Mountains were formed by intrusive plugs, remnants of volcanic activity that occurred 26-27 million years ago. Molten rock filled small vents or intruded as bodies beneath the surface and solidified into land rocks. Millions of years of erosion have removed the surrounding exteriors of volcanic cores and softer sandstone rock.’

‘The term ‘Glasshouse Mountains’ was given by explorer Lieutenant James Cook on 17 May 1770. The peaks reminded him of the glass furnaces in his home county of Yorkshire, UK.’

Tide of change

Once upon a time, in a sleepy street, near the brow of a hill, stood a single storey red brick cottage, bordered by hardy grassed paths.

The owner loved the home so much, they attached a sturdy white wrought iron bracket. Suspended beneath by two rings, a white oblong marker declared the house’s location.

Being a fan of swashbuckling heroes, the chosen placque featured a galleon, perpetually travelling the oceans at full sail.

Many a long year did that building provide shelter and comfort to its inhabitants. While number 37 gently swayed in the breeze.

Being but five kilometres from the city, the growing populace demanded increased housing density. Standalone dwellings were gradually consumed by multi-storey, hemmed in developments.

Today a refurbished ship 37 voyages upon a shiny new ‘boutique’ apartment block.

King George’s kangaroos

Back in November 2019 I posted about Albert Street Uniting Church. It can be glimpsed behind the righthand roo. The one with the joey’s legs poking out of her pouch.This heartwarming bronze family gaze across Saint George’s Square towards Brisbane City Hall. An Italian Renaissance style building designed by architects, Thomas Ramsay Hall and George Gray Prentice.The building opened in 1930. It has been used for royal receptions, pageants, orchestral concerts, civic greetings, flower shows, school graduations and political meetings.

62 Queens Street

Grand Victorian building, dwarfed by surrounding office blocks. It is hidden in plain sight when walking along pedestrianised, Queen Street Mall from George to Albert streets.

The following description appears on Remax website.

62 Queen Street is a 3 storey heritage commercial building that was constructed c1883 for Colonial Mutual Life Assurance Society.

Designed in the Gothic Style by one of Brisbane’s foremost Architects of the time Richard Gailey, the property is a fine example of commercial buildings during Brisbane’s transition as a former penal settlement.

The second picture circa 1895, shows the narrow building with spire, flag pole, attic rooms and chimneys.

Presumably, they were removed at the same time the original Brisbane Town Hall was demolished

Albert Street Uniting Church, Brisbane

Designed by Australian architect and artist, George Henry Male Addison (1857-1922), Albert Street Uniting Church was completed in 1889.

The warmth of the terracotta bricks of this Victorian Gothic Revival church contrasts beautifully against the blue sky, reflected in the glazed building behind.

Situated near a busy intersection where Roma Street meets Ann Street. It shares a link to the past under City Hall’s watchful eye, located diagonally across King George’s Square.

Layered landscape

ANZAC Square, Brisbane.

Looking north-west from the Adelaide Street side of Post Office Square towards Central Station, facing Ann Street. The Sofitel Hotel on Turbot Street provides a backdrop.

The statue in the centre of the photo is a memorial to Queenslanders who fought during the Second Boer War, 1899–1902.

The memorial features a life-size Queensland Mounted Infantryman. It was sculpted by James Laurence Watts from 1912 to 1919. It is also known as Boer War Memorial and The Scout.