Day surgery

In the weeks leading up to the surgery date, I worked light duties over full hours. The promise of two weeks off work filled me with a hankering to proceed—managing to push away a mixture of wanting to get it over with and morbid thoughts of amputations and death on the table.
A surprise visit from our niece and partner was a welcome distraction on the eve of the impending procedure.
On the day, duly fasting in preparation, I printed confirmation letters, checked what to wear, and estimated my time at the hospital.
My husband dropped me off at the private hospital. After a short Q&A, I was checked in by 1:15 pm for a 1:30 pm admission time—attired in trackie pants, an oversized white t-shirt, black socks, black Archies, and needlessly topped off by a green towelling M&S dressing gown circa 1993. I sat in the lobby awaiting collection.
One of four names called, we were escorted via a wall-mounted hand-sanitising station to a space reminiscent of somewhere that would have been right at home next to a school gym. Maybe it was the walls lined with lockers, cupboards, and shelving. I was finding it challenging to focus on The Life and Loves of a He Devil, borrowed from the communal library of our residence building, with half an eye on the TV playing The Chase or some other game show with the volume turned up too high.
Eventually, I was invited into a tired, seemingly crowded disabled showering room to change into surgical attire. I found the dark, oversized shadows of footprints pointed towards the shower head a little disconcerting. After being told to leave my underwear on, the nurse put the bag containing their gear on top of the closed toilet lid. I moved it onto the shower chair, aiming to undress on one toe in an attempt to avoid touching the floor with bare flesh. I’m sure the room was clean, just past its use-by date. Then, needing to sit down to put on red ankle socks dotted with white anti-slip circles, I moved the bag back to the toilet.
I was invited to another waiting room, a bit like a 1980s hotel with old people’s home furniture. A notice board sign indicated I still had to go through theatre check-in. I had to stop myself from nodding off in the waiting room. By 4:00 pm, I’d watched one episode of Friends and two of Frasier.
The next bit seemed to happen very quickly. I was taken to an intermediary space where vitals were checked, compression stockings wrangled onto my legs, and a disposable identity bracelet was affixed to my right ankle. I was unsure what to think about the dark blue-clad figure floundering around on the floor in front of me trying to get the stockings on. My belongings were secured in a shelved cupboard.
Accompanied by a nurse, I descended in a lift. When she asked why I limped, I explained I was on the public waiting list to see a surgeon for my right hip. I briefly considered her suggestion of signing up for private health insurance and waiting a year. I was asked to lie on a narrow bed, and an anaesthetic nurse introduced herself. Following an extensive round of questions and answers—name, date of birth, procedure, surgical site, allergies, name of surgeon, and so on—I was wheeled away by the chatty nurse. Overhead, ceiling-mounted lamps illuminated a warren of gloomy-cornered corridors cluttered with equipment and people.
Arriving at the “only theatre with a view,” I spied the unmistakable shape of a palm crown gently swaying through a high-level window in the anteroom, which seemed to be used as a thoroughfare for all and sundry. The anaesthetist introduced himself, and my specialist stopped by to say hi. He and his stubble looked much more appealing in scrubs than he did when I’d met him suited in his rooms over a month earlier.
Bizarrely, after installing a cannula into my right arm, the anaesthetic nurse had me get off the bed, walk into the next room, and climb onto an almost too-high operating table.
When I came around, I became aware of concerns about my blood pressure being too high, with people fluttering around trying things to get it down. I drifted in and out of consciousness, wondering if they would offer me weak, lukewarm milky tea—and, more importantly, the flavour of a much-anticipated sandwich.
Sliced ham, cheese, and lettuce on thin-sliced white bread that stuck to the roof of my mouth was the order of the day. I took care to take small bites after an initial, silent, not-wanting-to-make-a-fuss choking incident. Soon, I was buzzing after two not unsatisfactory cups of coffee with milk.
I was discharged at 8:00 pm, the handover from nurse to my husband picking me up at the drop-off/pick-up zone going off without a hitch.

Broken; not beyond repair

Over a varied working life, I have worn many hats: retail, hospitality, ride-share driving, and people support.

My current employer of approaching seven years actively discourages working without being paid, and overtime is strictly controlled. It sounds ideal on paper. Yet, the reality is a familiar paradox: the workload and performance expectations frequently surge to a level where skipping breaks becomes the only option to actually achieve what is expected.

Generational brainwashing demands unquestioning diligence, pushing us to meet the demand no matter the personal cost. But the truth is, my body was built for physical activity—not for interacting with a computer for half of my waking day. The result of defying that reality is both physical and psychological damage.

For a long time, pills, potions, and therapy have succeeded in patching me up. Lately, though, the frequency and extent of the harm appear to be increasing. Maybe this is simply due to my advancing years, or maybe the system is just wearing me down faster than I can rebuild.

This past March, while attempting to accomplish the impossible during another peak period, the pressure finally broke through. The result was extreme pain in both wrists and hands—a stark red flag that consolidated a long string of upper limb and neck injuries.

Conservative treatments have only offered temporary relief this time. The damage is real, but as the title says, it’s not beyond repair. A carpal tunnel release day-surgery for my left wrist is scheduled for the 16th of July. It’s the first step in fixing the physical, even as I navigate the systemic.

The Countdown

Running late
Rushing out
Walking briskly
Trundling carryon behind
Thinking laptop’s in the office
Wondering when the bus’s due
Exiting The Hamilton
Descending the ramp
Flashing green man
Welcoming the final stage
Approaching crossing
Counting down 16, 15, 14
Speeding around the corner
Disbelieving car cuts my path
Blasting horn another
Turning in front of me
Stopping before kerb
Looking at the driver
Gesturing to number 2
Waving their arms wildly
Giving-up self-righteously indignant
Proceeding onwards
Approaching crowd
Queuing
Reaching the stop
Questioning thoughts of others
Thinking I’m not pushing in
Checking the timetable
Screaming right leg
Protesting as adrenaline settles
Guessing their day’s worse than mine

Transmutation

In the face of grim graveness
Babbling buddha Airhead fawns
Transmuting into
La la la happy fairy witch
A golden creature bathed in blinding light
Aside a
Fuzzy bunny familiar
Invokes a voile veil
Gossamer gauze of firmament
Strewn with
Flimsy fragrant garlands

Dark Escape

Gemini ai created image

Poseidon’s poised on a precipice,
Languishing lost in
Moments of melancholic malaise.

Craving numbing night,
filled with deeper darkness,
Self-indulgently succumbs to

Soporific Laudanum-like liquid-
Purgatory-pummelled merriment,
Languidly dowsing spirit.
It reeks of putrid powerlessness
Yet, repulsed by broken bridges to freedom,

An impulse to extricate.
Allows thoughts to settle,
Words tumble forth-
Moving pieces, sorting senses,
By a glimmer of Apollo’s light, Combining motes of inspiration into life.

Virgin Australia budget airline

When Ansett airline closed down in 2002, we became loyal to Virgin Blue then Virgin Australia.

This morning, thinking we would buy a Virgin lounge pass, we discovered there is no longer a Virgin lounge at Cairns airport.

We dropped the Apex car rental off an hour earlier than necessary at 11:00am, so that we had plenty of time to navigate roadwork delays between Port Douglas and Cairns.

Naively, we believed we would able to drop our bags off at the airport, to access the shopping and dining opportunities prior to flying at 2:50pm.

We were greeted by closed Virgin Australia check-in desks, opening at 1:20 pm. Hopefully, we sit, occasionally gazing over at Virgin staff seated behind the check-in desks.

Other passengers arrive, speak to smiling staff, they are sent away.

I had refused to believe an online review of Virgin having become a budget airline.

Sadly, it is true.

Taking stock

Gemini AI created image

For an idealist, reality is the foulest tasting pill to swallow, let alone digest. Gaily floating around on a cloud of optimism and wonder one second, to thudding to earth, gasping in lungs of detritus, the next.

From experience, a sound night’s sleep goes someway to reset and resume the ascension of the ladder of acceptance and commitment, through adaptation and evolution.

My delusions of grandeur know no bounds!

It is the King’s (previously Queen’s) birthday, long weekend in Queensland. A perfect opportunity to reflect on personal and financial duties whilst enjoying a break.

Balancing optimism with responsibility is a dance requiring grace and acknowledgement of reality. How do you strike that balance in your own life?

The Demon Barber of Fleet Street

I find it amusing the path our lives take, in my case largely unconsciously. A benefit of aging is being able to review and share threads of the journey.

On this Thursday commute, I’m listening to the original 1979 Broadway cast recording of Stephen Sondheim’s musical adaptation of Christopher Bond’s play Sweeney Todd on Spotify. Len Cariou and Angela Lansbury star as lead characters Benjamin Barker and Mrs Lovett.

My fascination with the darkness of humanity as described in books began as soon as I was old enough to venture to a public library, unaccompanied by an adult. My junior years were spent engrossed in tales of Egyptian reincarnation, vampires, hauntings, ghosts, the supernatural, and witchcraft.

I fondly remember multiple borrowings of the above hardback, The Dracula Myth by Gabriel Ronay, 1972* from Harborne Library. It introduced me to 15th century, Vlad III (Dracul), ruler of Wallachia, in modern day Romania. He ordered two Turkish envoys be impaled because they refused to remove their turbans, and 16th century, Hungarian Countess Elizabeth Báthory who bathed in the blood of virgins to keep her youthful looks.

In the ‘70s, whilst holidaying with my family in the Channel Islands, I devoured the contents of the above paperback, a memoir of ‘Edward Paisnel, a predatory paedophile nicknamed the Beast of Jersey, who was convicted in 1971 for an 11-year reign of terror. Paisnel believed himself to be the reincarnation of Gilles de Rais, and committed his crimes in the bizarre outfit depicted on the cover of this 1972 biography by his wife Joan’**.

In 1984, after completing four years at college in Worcester and Blackpool, I returned home to Droitwich Spa, completely disillusioned by the prospect of a career working in hotels. I was successful in gaining retail employment at Russell and Bromley in Worcester. It was here, I met my dear singer friend, Georg.

By then Sweeney Todd had opened in London. Georg sat me down to watch a video of this performance. I was absolutely entranced by it. I still have a CD of the original cast recording from Broadway.

My husband and I have thoroughly enjoyed seeing Sweeney Todd a couple of times at the Sydney Opera House. We also enjoyed the movie version with Johnny Depp as Sweeney and Helena Bonham-Carter as Mrs Lovett.

For me, the staged production of Sondheim’s version of this melodramatic gothic thriller will never lose its appeal.

*picture and description sourced from AbeBooks website https://www.abebooks.com/book-search/title/dracula-myth/author/gabriel-ronay/

**picture and description sourced from Good Reads website https://www.goodreads.com/book/show/3149803-the-beast-of-jersey

Workplace change

Sandgate, 2019

Winnie-The-Pooh by A. A. Milne, illustrated by E. H. Shepherd was one of my first favourite childhood books. I won a paperback copy early in infant school for a hand painting picture. There was a commemorative ex libris inside the front cover detailing the award, my name, date, and class.

I was once described as being like Eeyore. The old gray stuffed donkey character. According to Wikipedia, ‘generally characterised as pessimistic, depressed, and anhedonic.’

I see myself more like Winnie-the-Pooh. ‘Despite being naïve and slow-witted, he is a friendly, thoughtful and sometimes insightful character who is always willing to help his friends and try his best.’ (Wikipedia)

Upon reflection, Pooh represents my usual optimistic self whereas Eeyore is an inner glum voice.

On Tuesday, my manager took me into a small meeting room for a ‘there’s nothing wrong’ discussion. I was momentarily lulled into a false sense of security. After a preamble of ‘change is a good thing’ and information I already knew, I learned of a reorganisation. In line with a company policy of a maximum of ten in a team, a need to build capability, and improve customer service, I was being moved to another team, the week after next.

I don’t operate well face to face when feeling threatened. Becoming a faun; externally, I appease and please, adopting a vulnerable and cautious stance despite inner turmoil. I expressed guarded displeasure then returned to my desk in stunned silence.

In the five and a half years with my current employer, I have worked in the same team, focussed on supporting clients back to state funded health roles after sustaining workplace injuries. During this time, I have experienced two challenging line managers and two wonderful ones. The uncertainty of a new manager, new team dynamics, and colleagues with limited knowledge and experience in supporting health clients felt overwhelming.

In engaging with change, I remind myself of Pooh’s sunny disposition, a source of comfort and inspiration. While uncertainty looms, I’ll lean on his resilience, turning negatives into positives and crafting strategies to adapt. Writing this post is my first small step toward accepting the shift and embracing the unknown. I still have a job, and I will navigate this chapter with optimism and determination. Change may be daunting, but it’s also a powerful catalyst for growth.

Air element

Version 2

I considered presenting a blank sheet. After all how do you paint something unseen? Weightlessness came to mind, such a heavy word to describe something ethereal; unseen, lighter than a feather.

My imaginings are viewed through a water element induced feelings lens. Increasingly with age, earthbound gravity anchors me as I am dragged along the ground like a hot air balloon basket being divested of collected paraphernalia. It doesn’t seem to matter how much is discarded I just can’t seem to get my carcass of the earth.

Both versions of the abstract watercolour are posted here.

The first feels heavy, constrained, forced, and overworked.

I am happier with second version.

  • I was aiming for:
  • Purple for spirit, and I believe, evolved thought
  • Yellow for the air element, in my view also sunny hope filled optimism
  • Blue resonates for me as free limitless sky high thinking
  • While white space represents light and calm

A decade or two ago, I was fascinated by people who read a book while completing gym based cardiovascular training. In contrast, I felt like I was soaring as I listened to dance music. The beats, sounds, and crescendoing voices motivating my body to pump and work harder to lift me higher and higher.

Nowadays, finding the music in the gym too loud, I can’t be bothered to try to compete with my earbuds. Dialling up the volume sets off my tinnitus. I can complete forty minutes’ exercise in the aerobic heartbeat zone while reading a book on my phone. It works on the reclined bike, elliptical trainer, and treadmill.