Humbled

My new boss said, it is one thing to record positive feedback in the notes of a telephone conversation and another to receive an email. When one of my clients takes the time to mail a thank you card that is something else.

I feel humbled by the recognition and thankful for being able to make a positive difference in someone’s life.

Dew bejewelled leaf

Emerge from Central gloom into a brash world.
Persevering down pain filled steps,
Hunched against chilly drizzle,
I am engulfed by swishing traffic
And beep beep crossing noises
To traverse Creek Street.

Epiphanic; time and raindrops slow
Gaze catches a leaf of coffee shade
Resolutely reclining in the gutter.
Dew bejewelled before dusky rose kerb
Gold, ruby, sapphire, amethyst
Shimmering in the spartan morning rays.

In minds eye, the moment lingers
While crossing over Ann Street,
During descent of Creek Street,
And left into Adelaide Street,
Ad infinitum
The image remains to this day.

Scarlett Fever

Scarlett Fever, 2018

When we arrived in Queensland six years ago we were introduced to the quirky mayhem of Drag Queen, Scarlett Fever at the Beat Megaclub, Fortitude Valley on a quiet Sunday night. I was struck by the originality and grace of this gazelle like performer.

Scarlett Fever, 2024

Nowadays, connecting with our gay tribe is limited to discrete preplanned visits to Brisbane.

Last night, I was thrilled to see Scarlett Fever at the busy Wickham hotel. Scarlett’s eyes and character have grown into the wonderful contemporary artist they are today.

Scarlett Fever

Organic pieces

Inspired by the 21st century couturier, Iris van Herpen at Queensland’s GOMA (Gallery of Modern Art), Brisbane, I present a modest collection of organic poems and images from the exhibition.

sinuous
serene
cerulean
silken
symbiotic
sirens
sway

languid lascivious
layered lame
Luddites languish

opulent
oceanic
organza
orifices
open

couture conjures
cantankerous
carnivorous
crêpe crustacea

entranced
elfin effigies
encased
entombed
encrusted

Abstract space theme

I completed this experimental mixed media painting a month ago. The circles were completed first.

I masked the perimeter before adding the ink background. Finally, salt created blue shading in the black.

Unfortunately, some of the watercolour came off when the tape was removed.

Fawn no longer

Mixed media abstract

For the last two years I have been in a state of threat at work. While the employer proclaims it is a place of inclusion and authenticity, I wonder if this statement relates only to the loud and pushy at the expense of others. Perhaps I am not resilient enough, unwilling to speak out, and too sensitive.

When my values were tested too much, I fought back (in a shy introverted way). I was labelled ‘emotional’. I resorted to my go to fawn response with underlying frustration and at times anger. I aimed to please and appease by sacrificing myself.

Over the last twelve months, somehow, I sustained this tiring performance, achieving a personally unnecessary glowing annual performance review. Satisfactory would have been enough.

When I recently found out the perpetrator was being reassigned, I felt numbness and disbelief.

I developed fawning from ages 9 to 16 years. The seemingly constant aggression directed at my mother and brother by my first stepfather brought firsthand experience of rage, domestic violence, and abuse. I largely kept my thoughts and feelings to myself. Withdrawing my marshmallow being behind a protective shell. As soon as I was able, I fled away to college.

At the beginning of this week, perpetrator free, I felt like a huge weight had lifted from my shoulders.

This painting reflects pleasing and appeasing while dark emotions and discontent underlaid my view of my workplace. The grey background represents compromise, neutrality, control, and practicality. I am represented by an anonymous outward facing ovoid, outlined with dark blue and red inks. The teal inner self displays responsiveness, integrity, and practicality. It contains pink organic shapes of kindness, caring, and compassion; essential for my role. Salt adds fractures to the composition.

Riding pillion

One of my first watercolours, the view of the pillion rider from 1985.

67 years ago in July 1957, my Mom and Dad were married at St Mark’s Church, Smethwick, Staffordshire, UK.

The wedding reception was held at my Grand Parent’s house in Smethwick. Mom and Dad’s honeymoon was spent touring North Wales by motorbike.

The photograph below shows Mom dressed in travelling gear standing next to a memorial.

At 22, my mother was the same age as I when I was riding pillion in a one piece padded suit. An attempt to keep out the bone chilling wind and rain.

Dad with the motorbike

White Horse watercolour

Decaying buildings capture my imagination. I am generally thrilled when they survive the threat of demolition.

I painted this watercolour in 1986 after a trip to Whitby, North Yorkshire. A check in a few years ago revealed red and gold paintwork.

A DuckDuckGo search just now revealed the restored White Horse and Griffin, 87 Church Street.

According to TripAdvisor, an almost 450 years old coaching inn, the first built in Whitby to serve people travelling to London.

Airhead works in retail

In my late teens and early twenties, I experienced hospitality working as a casual, selling fish and chips at Neptune’s Pantry, as a banqueting waiter at the Raven, hall porter at the Chateau Impney, and barman/porter/night manager at the Windermere Hydro hotels.

After completing college in 1984, I was disillusioned by the prospect of working long hours in a hotel for the rest of my life. Back at home in Droitwich, I looked at other options. A newspaper advertisement for a full time position in retail caught my eye. Mom drove me the six miles to Worcester for the interview. It was supposed to take 20 to 30 minutes.

The manager, Michael Dray had me describe the selling features of a fawn Italian leather high heel shoe with a gold piped darker tone lizard skin inverted chevron at the top of the counter (behind the heel). At the time, this shoe was the most expensive in the shop, around £250 in 1984, equivalent to £1000 today.

After spending about two hours with Mr Dray and returning to the car, Mom was both happy I got the job and unhappy for having to wait for me without knowing what was taking so long.

These mixed emotions transferred to me as happiness and anxiety, throughout my employment at R&B. My work colleagues were a wonderful mix, ranging from elder and younger sister types to the outrageous. Other than the manager, I was the only male employee.

Our employment rewarded us with an hourly rate plus a percentage of sales commission. I had not considered the pressure weekly sales targets would have on me. It was calculated using the performance of the store for the same week in the previous year plus a mark up and divided between the number of employees working.

Other incentives included, ends of lines having a ‘spiff’ sticker attached to the box. The colour translated to a one-off £ value paid in addition to commission.

Every person entering the emporium was a prospect who should not be allowed to leave until a purchase had been made. If they were interested in slippers, it was expected, we introduce a matching handbag, polish, shoe trees, signing up for a store card, boots, shoes; you get the picture.

Whilst I had experienced the need to perform at school and college through achieving the requisite grades to graduate, sales was and still is an anathema to me. Anything more than charming, chatting, and cheering on when I disagree with what I am doing leads to poor performance. A completed store card application that passed credit checking earned £1 for the sales assistant and potentially a life of debt for the shopper. In the six months or so I spent at R&B, I did not once achieve my sales target.

Today, I am surprised by my naivety of not thinking things through before jumping headlong into them. In hindsight, I learn through failure by picking myself up and trying something new.

Back to the happy times at R&B, through the ladies collection, my eyes were opened to a world of coloured leathers including, navy, white, cerise, Capri, taupe, chocolate, salmon, raspberry, lemon, lime, emerald, ruby, claret, sapphire, opal, silver, gold, bronze. The men’s mainstay of black and brown occasionally branched out into silver or mid grey, tan and, blue.

I used every opportunity to try on ladies and men’s shoes that took my fancy. I fell into the role of clown, parading around the stock rooms, much to the delight of my coworkers.

We purchased our own uniforms. Males wore a suit with shirt and tie. My female counterparts an outfit selected by the floor supervisor, a tall slim, Miss Dixon. It changed twice per year and did not suit all body shapes.

A condition of our service was the wearing of a pair of ‘shop shoes’ from the company’s range for six months. They were not allowed to leave the premises. Our bags were checked every time we went out. We paid a quarter of the retail price. I chose a £100 pair of tan Moreschi tasselled half brogue loafers with a grosgrain vamp.

During my time there, I attended a course on fitting children’s shoes in Norwich at the Startrite factory so that I could assist during busy back to school periods.

My work mate, Tracey ‘ace face’ Melling ran the children’s department on the mezzanine. Outside work, a goth with backcombed hair, ripped black clothing, and black, white, and purple makeup. Each day, Tracey drew on eyebrows after arriving late to work. I still smile at the thought of the surprised faces of children and parents looking at Tracey without eyebrows or with only one drawn on.

Tracey was hugely creative. During a quiet period, Tracey drew pencil sketches of pigs wearing R&B shoes on the back of Clarks packing labels. I was gifted with the sketches which I copied to paint corresponding watercolours.

I began at R&B during the period of the Autumn/Winter uniform of black skirt and dark raspberry blouse.

Spring/Summer followed, Capri skirt with blouse of splodges of blue, pink, and green.

Fully utilising a 25% discount, my shoe collection grew to include leather soled and lined canvas shoes in two tone blue and in fawn; polished burgundy, black, dark brown, and dark fawn suede brogues, tan boxer boots, the list goes on. Only the Moreschis remain.

Blackpool watercolour

About 1986

A year on from moving house we are starting to declutter. A portfolio of drawings and paintings from the ‘80s were rediscovered

I lived on the north shore, Blackpool, Lancashire, UK during the off seasons 1982 to 1984 whilst studying hospitality management at Blackpool and Fylde College of Higher and Further Education.

Wild weather frequently lashed the esplanade. I painted this watercolour was from a photograph of the North Pier taken on a calm day as the sun was descending.

WordPress informed me this is my 1000th post, wow!