Dirty, fake, authentic

I feel slightly dirty, tainted from being drawn into binging Byron Baes on Netflix. The mostly self interested, egotistic personalities are at first cringeworthy. Skewed perspectives, judginess, assumptions about the actions and desires of each other, and much throwing of under the bus served as the catalyst to wanting to see how events play out.

One of the reality show’s stories follows musician and singer, Sarah moving across the state border from Goldie to be among fellow creatives in Byron Bay.

Sarah inadvertently causes friction while ping ponging from Nathan to Elias to Nathan. Elias confirms Nathan’s reputation of being a ‘fu#k boy’ to Sarah. Nathan is unwilling to accept this insight from one of his bros.

Elle, Nathan’s housemate, cattily describes Sarah as fake. When challenged by friends, she flatly denies the comment, changing it to not being authentic.

It appears never the twain shall meet where conformity is required to fit in with the floaty neutral set of Byron’s female upper echelon. Sadly for Sarah, the colourful, loud, figure hugging attire of the Gold Coast is seen as fake.

There I am thinking, we are evolved enough to be able to celebrate diversity, self expression, and authenticity.

Darkness shining through

Beneath bright golden veneer of respectability;

Strong sense of black and white, right and wrong.

Consistently, calmly, controlling, checks and balances.

Within an organised mind of professional standing;

Team player, relationship builder, extraordinaire.

Seriously, delivering on goals for stakeholders, all.

Now and then, chink appears.

Mischievous smile, reveals;

The darkness shining through.

Golden sunset

Last evening I noticed the sunset transforming the metal trim on buildings into golden bands of light. I was not quick enough to capture the moment, however as I neared home I caught the sun dipping below the horizon. 

In search of the pot of gold

 I walk past this inspiring artwork many times every day in UNSW Australia, Sydney. I rarely stop to take in the colours, images, shadows or think about its meaning. This in itself is a lesson for me; my mind often is elsewhere rather than here and now. I appreciate the artist, David Cheah’s words and images and can draw comparisons with my own journey. 

 You can find out more information about David and his work at:

http://www.davidcheah.com/davidcheah-files/navigation/infoup.html

A new perspective

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Once came a man with head of greed,
High and mighty upon his steed.
Bewitched was he by ancient glades,
Of purple caps and orange blades.
While here he learned that riches sought
Are worthless when life is so short.
Homeward bound his heart filled with gold,
A new perspective to be told.

(c) Robert Jones 2014, All Rights Reserved

Paradise almost lost

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Reading about the deforestation of The land in the Museum of New Zealand Te Papa inspired me to find out more:

“Around 1000 AD, before humans arrived in New Zealand, forest covered more than 80% of the land. The only areas without tall forests were the upper slopes of high mountains and the driest regions of Central Otago. When Māori arrived, about 1250–1300 AD, they burnt large tracts of forest, mainly on the coasts and eastern sides of the two main islands. By the time European settlement began, around 1840, some 6.7 million hectares of forest had been destroyed and was replaced by short grassland, shrubland and fern land. Between 1840 and 2000, another 8 million hectares were cleared, mostly lowland or easily accessible conifer–broadleaf forest.” (1)

“One of the largest and longest-living trees in the world, New Zealand kauri (Agathis australis) belongs to the ancient conifer family, Araucariaceae. Kauri’s final size depends on site and conditions, but heights average 30–40 metres and trunks can reach several metres in diameter. By 600–700 years of age, kauri reaches an average diameter of over 1 metre. Kauri can survive for 1,000 years or more (with an average diameter of 2 metres), but trees older than 1,700 years (average diameters over 3 metres) are now rare.

In just over 100 years, logging and burning transformed the northern landscape from forest to farmland. By the early 1900s, most kauri forest had been logged. Although there was growing concern for the survival of remaining native forest, the high value of kauri timber meant that the forest was still exploited. A final push to extract the last of the kauri swept through the north in the 1920s and 1930s, reducing the forest to the few patches that survive today.” (2)

The image of Queen Elizabeth II on the face of these coins link the currency of New Zealand to the UK, my place of birth. For me these metal shapes represent the destructive power of humanity over nature and their fellow human beings in seeking material wealth. They exist because man mined metal from the Earth. Gold and silver are symbolic of the Sun and the Moon all three are essential for life as we know it; what a paradox.

References
(1) John Dawson. ‘Conifer–broadleaf forests – Loss of conifer–broadleaf forests’, Te Ara – the Encyclopedia of New Zealand, updated 8-Jul-13
URL: http://www.TeAra.govt.nz/en/interactive/11674/deforestation-of-new-zealand
(2) Joanna Orwin. ‘Kauri forest’, Te Ara – the Encyclopedia of New Zealand, updated 11-Jun-13
URL: http://www.TeAra.govt.nz/en/kauri-forest