Big Nanny, Hilda May

Today, 2 July 2024, ‘Big Nanny’, my maternal grandmother would have been 118 years old. This is the only photograph I have of Hilda May Edmonds, born at the dawn of the 20th century.

According to the 1911 Census of England and Wales, Hilda aged 4 lived at 123 Winson Street in the working class suburb of Winson Green with parents Robert, 39 and Mary, 41, brothers, Willey, 10 and Joseph, 8, and two boarders, James Aspinall, 71 and Margery Grattage, 3.

Hilda’s, Mom, Mary had given birth to five children, two were deceased. Ivy passed when 2 years old in 1901. I have not yet identified the other child.

Approximate location of the house

Robert was employed as an art metal worker making fire screens. According to the 1891 census, art metal work had been his occupation since the age of 19. Robert had a background in metal, hailing from a family of brass founders and casters.

Typical Victorian house plan

The Victorian terraced house no longer stands. It may have been a two up, two down plus attic bedroom facing the street with a rear courtyard containing a communal outside washhouse (laundry), and toilet connected to the sewer, a luxury, at that time for the less well off.

The house was located a hop skip and a jump south west of Winson Green Prison (the last execution was carried out in 1972), City Lunatic Asylum (became All Saints mental health Hospital), City Fever Hospital, and the Birmingham Union Workhouse. The Workhouse site later became Dudley Road Hospital.

Winson Green at the turn of the century

I was unaware of my family’s connection to Winson Green when I was getting industry experience working for six months’ in one of the Dudley Road Hospital kitchens in 1984/85.

Hilda left home to marry Dennis Havelock Jones in 1928.

They lived in a 1920s house, 28 The Oval, Smethwick (promounced Smerrick), Staffordshire with children, Norman, Irene (my Mom), Denise, and Frank.

The grey house is no. 28, Google street view

The eldest, Norman passed away due to gastroenteritis when 6 years old in 1934.

My Mom, Irene was born in 1935. This picture was taken on Mom’s first birthday. Mom contracted polio when she was 14 months old.

Mom recounted, before the start of the Second World War, Uncle Ben visited from America. He offered to take the children home with him, away from the anticipated bombing. The family decided to take their chances, the children stayed at home in England. Granddad built an Anderson Shelter in the back garden.

12 year old Mom in fancy dress outside the caravan

After the war, the family enjoyed holidays in a caravan built by Granddad. It was located in Bridgnorth, Shropshire on the bank of the River Severn. My Mom met my father, Trevor there, he had been camping nearby.

Denise’s husband of 4 years went off with another woman in 1962. It was too much for Denise, aged 23 to bear, she gassed herself by putting her head in the oven. My Mom and Uncle Frank found her slumped against the stove.

My Mom told me Nan was devastated by Denise’s death. She refused to leave her bed. My Mom and Dad agreed a grandchild was what Nan needed to lift her spirits.

This is where I entered the story in 1963.

I have only fond memories of my rotund, jolly, loving, type 1 diabetic, Big Nanny living with Granddad and their dog, Sue. I wonder, if Nan ever removed that hairnet and button up tunic she wore over her clothes. Maybe to go out in the blue Morris Minor van with Granddad.

I remember the semi detached house with a tiny entrance hall, a staircase ahead, and the front (best) room off to the left. It was used to receive visitors. My brother and I were not allowed to be in there without adult supervision.

The walls of the room were papered with a toile de jouy pattern.

A white Sylvac hyacinth mantle vase with wire flower holder insert stood on the bay window cill along with cast brass ladies wearing crinoline dresses.

A high back three piece suite, upholstered in dark grey with small burgundy crosses and topped with antimacassars faced a tiled fireplace with a gas fire. There was also a coffee table, hearth rug, and a potted aspidestra atop a tall timber plant stand.

I assume Granddad had modernised the panelled doors by adding hardboard and painting them white. Drive-in ball catches had also been installed. A shelved under stairs storage cupboard was accessed from next to an upright piano. The space had a small stained glass window looking into the lean-to garage at the side of the house.

Next to its door, another led to the kitchen. It was furnished with a large table, a small two seat sofa with wooden arms and green seat and back cushions in front of a fire, a dark red rag rug, a green enamelled gas stove with eye level grill, stainless steel sink with draining board and yellow Formica sliding door cupboards.

Nan would let me light the kitchen’s gas fire using a wooden spill from the pot on the tiled mantle. I was encouraged to help peel vegetables, shell peas and chop mint grown on Grandad’s allotment.

Granddad liked his sausages skinless so Nan would give the skins to me to take to Sue outside. I didn’t tell her, sometimes Sue shared her raw sausage casings with me.

As a treat, Nan would give me ‘a piece in the dip’. She used a long serrated knife with tiny teeth to slice the crust off a white tin loaf then dip its face into the juices of the Sunday roast. I would add ground white pepper and savour each mouthful of this prized gastronomic delight.

There was a huge glazed lean-to at the back of the house accommodating a workshop, toilet, and the laundry gadgets from across the decades including, a copper, washtub, dolly, and mangle. By the ‘60s Nan was using a gas powered washing boiler and an electric cylindrical spin drier. Monday was wash day in the Jones household.

Outside there was an old crock sink mounted on a stand both painted green and filled with red geraniums. A long lawn lined with orange marigolds stretched towards Grandad’s green painted shed and beyond a gate into Mrs Millington’s garden. A washing line stretched as far as the eye could see.

Up the narrow, steep staircase there were three bedrooms and a bathroom. The bathroom had dark brown linoleum floor covering, cream painted walls and gleaming white fittings with chrome taps. The taps, tee shaped from the side were connected through the back of the square porcelain sink and the end of the footed iron bath. The vertically mounted, cross headed taps had small white porcelain discs, indicating ‘hot’ and ‘cold’. There was resistence when turned, emitting grinding screeches followed by soft pops.

The water gushed from the bottoms of the taps with what seemed like the force of fire hoses, even though it took forever to be deep enough before I could climb into the gargantuan steaming vessel. Once inside, the bottom and sides would feel icy against my skin. Also, the enamel was a little rough from eons of scouring with Vim powder.

My last memory of my Big Nanny is from 1969. She was in bed in the best room. It had been brought downstairs as she was ill and there was no toilet inside the house. I took the gift of a dolly I had made from strands of pale blue wool.

Sadly, cancer of the liver got the better of Big Nanny, passing away on 5 January 1970, aged 63 when I was 6. The wool dolly accompanied her to her final resting place in Uplands Cemetary, Smethwick.

Watercolour and salt

The ovoid watercolour from yesterday with the rock and cooking salt still attached.

As I am running low on paper and this work is experimental, I used the back of another painting. The surface is smooth rather than textured. I did not stretch the paper resulting in a pleasing undulation.

I seldom use these orange, green, and gold colours. I have run out of my favoured two yellows, and the two blues and mossy green are running low.

A vote of two at home resulted in a decision to leave as much salt as would stay in place after tapping and tipping. Below is the result.

Korora beach pebble

Last Sunday, my right leg and hip were stiff and painful. I opted to stay in the house while my husband descended the timber staircase to Korora Beach, NSW.

He gifted me a gorgeous striped pebble, the inspiration for this week’s watercolour and ink painting.

Travelling to reconnect

Dream state Airhead, watercolour, ink, salt

Around fifteen months ago, before moving from Brisbane to our new home, we caught up with friends over lunch.

We had not seen them for maybe a decade. They had moved from Sydney to Coffs Harbour via the Central Coast, New South Wales. We had lost contact. The lunch was like slipping into a favourite outfit. We were comfortable, relaxed, and happy to see each other.

Yesterday, my husband drove us to Dogs of Balmoral so that we could drop Stan off to spend a long weekend with a family that love him for who he is.

We drove on for a further two and a half hours from Queensland to a small town inland from Byron Bay. There we enjoyed lunch at Butcher Baker Bangalow before heading on for another two and a half hours, south to the beachside suburb of Korora, Coffs Harbour.

We are staying with the friends from Sydney, in their beautifully renovated house perched high enough to be able to gaze at the uppermost branches of the surrounding trees. We are told the sapphire blue of the ocean can be glimpsed on sunny days. Today showers and a bank of blue grey cloud dominate the scene.

It is as if we only caught up with them yesterday.

As Airhead above, slowly tumbles through a dream state our lives flux, shift, and we reconnect at a personal level. The jovial camaraderie embraces us like a warm blanket during this Winter in the Southern Hemisphere.

Arms above head, easy pose

What dot you think?

Microsoft Copilot said:

The canvas reveals an abstract form reminiscent of a kettlebell, its contours gracefully etched in deep purple hues. The kettlebell seems to defy gravity, suspended against a mottled backdrop of green and yellow. Light dances upon its surface, casting a delicate highlight at its peak.

The background, typical of watercolor artistry, blends colors seamlessly—a dance of soft edges where green and yellow intermingle. The overall effect is both intriguing and serene, inviting contemplation.

As you gaze upon this piece, imagine the kettlebell’s weightlessness, its purpose unknown. Perhaps it symbolizes strength, resilience, or even a hidden power waiting to be harnessed.

Passaic 1942

My mother recounted to me, relatives emigrated to the US in the 19th and 20th centuries including, my second cousin five times removed, Benjamin Woodhouse.

Benjamin went to live in Chicago, Cook County, Illinois.

His son, Frank Lincoln Woodhouse, daughter, Mary Jane, and son-in-law, Fredrick William Hewins worked at the old Little Falls Laundry, Little Falls, Passaic County, New Jersey in 1942.

Apple maps

At that time, they lived together at 354 Mount Prospect Avenue, Clifton, Passaic, New Jersey, USA. I wonder if this is the house they lived in.

Airhead tree pose

I stood naked in front of the mirror, on the back of the bedroom door, to take a selfie. I used it to guide the painting of Airhead in tree pose.

I like the background, salt again on wet watercolour. It reminds me of sand surrounded by clear seawater. The figure reminds me of a crab with large pincers.

A week on, I am unsure if I like it or not.

The following is how Microsoft Copilot (AI) describes the picture.

Certainly! Let’s dive into the captivating world of this watercolor painting. 🎨🌟

“Harmony in Terracotta”

Description:

The canvas comes alive with hues of green and yellow, reminiscent of a sun-kissed meadow. Against this textured backdrop, an abstract figure takes center stage. Its warm reddish-brown tone, akin to terracotta, exudes both strength and vulnerability.

The figure strikes a pose—an advanced yoga stance known as Natarajasana, or the “Dancer’s Pose.” Arms extended, legs gracefully lifted, it embodies balance and fluidity. But there’s more: within the silhouette of its head, a smaller figure mirrors the same pose. A dance within a dance, a reflection within a reflection—a mesmerizing recursive motif.

The mottled background hints at organic textures—perhaps foliage, perhaps marble. It’s as if the figure emerges from the very fabric of nature, a testament to interconnectedness. The artist’s brush strokes evoke movement, capturing the essence of life in stillness.

Interpretation:

“Harmony in Terracotta” invites us to explore duality: strength and vulnerability, solitude and connection. The figure’s defiance against the textured canvas mirrors our own struggles and triumphs. We, too, dance through life’s complexities, seeking balance and grace.

And perhaps, just perhaps, this painting whispers secrets of ancient forests, forgotten rituals, and the unity of all things. 🌿🌟


Image details: “Stacked Yogi’s Painting” by Katherine Hardie.


Note: The recursive element in the head area is a delightful touch—an artistic nod to the interconnectedness of existence.


Would you like me to create a short story inspired by this painting, or perhaps delve into historical research about Deritend’s pubs and beer houses from 1850 to 1900? Let me know, and we’ll embark on another creative journey! 📜✨

Source: Conversation with Copilot, 2/6/2024
(1) https://fineartamerica.com/featured/stacked-yogis-meshal-hardie.html. https://fineartamerica.com/featured/stacked-yogis-meshal-hardie.html.
(2) https://daydream.com/product/unconditionally-loved-laura-garrard. https://daydream.com/product/unconditionally-loved-laura-garrard/.
(3) https://www.innerworkpath.com. https://www.innerworkpath.com/.
(4) http://www.orlandoab.com/oab/exhibitions/the-jugglers-exhibition. http://www.orlandoab.com/oab/exhibitions/the-jugglers-exhibition/.
(5) https://circle-arts.com/jennifer-hannigan-green. https://circle-arts.com/jennifer-hannigan-green/.

Ernest Bristol Binding

HMS Bulldog*

I have been researching our family trees. There have been interesting discoveries.

During the First World War, my husband’s grandfather, 26 years old, Able Seaman, Ernest Bristol Binding was serving onboard Beagle class destroyer, HMS Bulldog (1909).

‘On 16 April 1916, while on G Patrol off the mouth of the Dardanelles, the Bulldog struck a contact mine off Gallipoli. She was badly damaged aft and suffered the loss of one officer and six men’ (Wikipedia) including, Able Seaman Binding. The body was not recovered.

He was mourned by mother, Mary, siblings, William, John, Mary, Thomas, Maud, Alfred, Godfrey, Elizabeth, and children, Gwendoline, William, and Elizabeth.

Ernest’s service is commentated in Plymouth and Briton Ferry.

*source, http://www.the-weatherings.co.uk/pccship0471.htm

Seasons shift

Abstract watercolour and ink painting from a few weeks ago

On Thursday, I was thrilled to receive lovely feedback about my paintings and poetry. I was inspired to wax lyrical, below is the result.

Seasons shift

The southern freeze hasn’t arrived, yet,
Stepping out into a chilly ten degrees
Elicits a soft billowy cloud.
Echoes abound in the pre-dawn inky silence,
Like deep squeak footsteps in snow.
A trail of taillights illuminate the
Trip from home to train.
Others whoosh past us on their daily paths.
Clearing the trees, the ice white edifice stands resolute.
It’s cold magnetism lures commuters into it’s depths.
Thankful for a black, long sleeved layer,
My thoughts link back to the dark decades,
Of deliberate anonymity and self discovery;
Uniformed in raglan and denim.
Compromise tempered the giving into temptation.
Onboard, the sleek serpentine capsule streaks,
Illuminating the slumbering surrounds.
The warmth of sms’ from home and online messages
Soften and brighten the journey as the seasons shift.