As I am working on a concept for an abstract watercolour earth element painting, carrying on from last week, I decided to share a couple more primary school reports.
I have no recollection of class 2.
From the above, it appears class 3 was split into two terms. The first was taught by Mrs Elway whom I adored. Mrs Elway played the upright piano in the school hall. It had an elaborately embroidered drop cloth affixed to the back of it.
My technicolor memory of Mrs Elway merges with the black and white film ones of English actress Margaret Rutherford. They both appeared to be nurturing, driven, crone spirits.
There were no excellent scores in class 1. At 6 3/4 my performance had markedly improved.
I don’t know why I missed 43 days of school other than having measles, chicken pox, and debilitating bouts of tonsillitis culminating in having them removed at the grand terracotta brick Ear Nose and Throat Hospital, junction of Edmund and Barwick streets, Birmingham.
After getting over the pain of healing wounds, I loved being in hospital. I have vivid memories of the late Victorian ward with beds either side of a central aisle with a table in the middle for meals. I loved the jelly and ice cream they served post op. Eventually, I was allowed to eat cornflakes although they had to be scratchy.
Good for P.E. Games? Perhaps due to it consisting of musical statues, throwing beanbags, maypole dancing, and running around.
Note, needlework was now added to the curriculum. Mrs Box taught us to hand stitch, embroider, and use a sewing machine.
Mrs Elway kindly reports I ‘tried very hard, particularly with reading and writing. Particularly good at collecting nature specimens.’ I admit to proactively contributing to the nature tables in most classes. Perhaps I could have been a botanist. Excellent for art and handiwork encourages my current endeavours.
My grades slipped significantly under the tuition of A.M. Lloyd, of whom I have no recollection. Maybe due to my father ‘running off to be with that Walker woman’ as my mother frequently shrilled whenever my five year old brother and I needed to hear it. Dad left us the day before my eighth birthday. I don’t remember whose choice it was. I know my Mom would not have been able to silently endure adultery. At least during this time I had a flair for ‘oral work’.
The formidable jacket and skirt suited headmistress E Lyon would have been sporting a French pleated hairdo while signing off on this report.
As children in the UK, we learned March winds and April showers bring forth May flowers.
In contrast in Australia, the first day of each third month marks the change of the seasons. September, 1st heralds Spring.
September, October were mostly dry, and November is living up to its stormy reputation. Compared with last year, it is more humid than I remember, more than 70% most days.
rain lilies
We enjoy the benefit of one of the previous owners of the house being keen gardeners. The wild irises and amaryllis have finished blooming.
fire star
They are succeeded by fire star orchids and dancing lady orchids.
This was my first foray into fountain pen ink sketching and an ink wash. The Parker Qink dried extremely quickly. I diluted it, painting onto dry paper.
The ink is from a time of my youth in the 1980s, the Parker Sonnet pen, a gift from work colleagues when we left the UK to emigrate to Australia in 1998.
My naïveté continues to be a theme. I had not considered the inked lines would run when with watercolour was added. I worked with it.
Aging and some of the medication I take have a side effect of shaky hands. I used one of my pencil sketches of a dinosaur. I cut the sketch out, pencil shaded the outline and inked in the outline.
The painting developed as it was created.
Salt was added to the night sky, the background of the ovoid contained figures, and the centre of the seven orange shapes. They represent one thousand miles markers across the Pacific Ocean and the equator from South East Queensland to California.
It is night time where I am, represented by pink Airhead. I engage with my blogging buddy Ra as Rawr the dinosaur through thoughts, dreams, and engaging with each other’s work.
The painting can be viewed with night at the bottom or the top.
My new boss said, it is one thing to record positive feedback in the notes of a telephone conversation and another to receive an email. When one of my clients takes the time to mail a thank you card that is something else.
I feel humbled by the recognition and thankful for being able to make a positive difference in someone’s life.
When we arrived in Queensland six years ago we were introduced to the quirky mayhem of Drag Queen, Scarlett Fever at the Beat Megaclub, Fortitude Valley on a quiet Sunday night. I was struck by the originality and grace of this gazelle like performer.
Scarlett Fever, 2024
Nowadays, connecting with our gay tribe is limited to discrete preplanned visits to Brisbane.
Last night, I was thrilled to see Scarlett Fever at the busy Wickham hotel. Scarlett’s eyes and character have grown into the wonderful contemporary artist they are today.
In my late teens and early twenties, I experienced hospitality working as a casual, selling fish and chips at Neptune’s Pantry, as a banqueting waiter at the Raven, hall porter at the Chateau Impney, and barman/porter/night manager at the Windermere Hydro hotels.
After completing college in 1984, I was disillusioned by the prospect of working long hours in a hotel for the rest of my life. Back at home in Droitwich, I looked at other options. A newspaper advertisement for a full time position in retail caught my eye. Mom drove me the six miles to Worcester for the interview. It was supposed to take 20 to 30 minutes.
The manager, Michael Dray had me describe the selling features of a fawn Italian leather high heel shoe with a gold piped darker tone lizard skin inverted chevron at the top of the counter (behind the heel). At the time, this shoe was the most expensive in the shop, around £250 in 1984, equivalent to £1000 today.
After spending about two hours with Mr Dray and returning to the car, Mom was both happy I got the job and unhappy for having to wait for me without knowing what was taking so long.
These mixed emotions transferred to me as happiness and anxiety, throughout my employment at R&B. My work colleagues were a wonderful mix, ranging from elder and younger sister types to the outrageous. Other than the manager, I was the only male employee.
Our employment rewarded us with an hourly rate plus a percentage of sales commission. I had not considered the pressure weekly sales targets would have on me. It was calculated using the performance of the store for the same week in the previous year plus a mark up and divided between the number of employees working.
Other incentives included, ends of lines having a ‘spiff’ sticker attached to the box. The colour translated to a one-off £ value paid in addition to commission.
Every person entering the emporium was a prospect who should not be allowed to leave until a purchase had been made. If they were interested in slippers, it was expected, we introduce a matching handbag, polish, shoe trees, signing up for a store card, boots, shoes; you get the picture.
Whilst I had experienced the need to perform at school and college through achieving the requisite grades to graduate, sales was and still is an anathema to me. Anything more than charming, chatting, and cheering on when I disagree with what I am doing leads to poor performance. A completed store card application that passed credit checking earned £1 for the sales assistant and potentially a life of debt for the shopper. In the six months or so I spent at R&B, I did not once achieve my sales target.
Today, I am surprised by my naivety of not thinking things through before jumping headlong into them. In hindsight, I learn through failure by picking myself up and trying something new.
Back to the happy times at R&B, through the ladies collection, my eyes were opened to a world of coloured leathers including, navy, white, cerise, Capri, taupe, chocolate, salmon, raspberry, lemon, lime, emerald, ruby, claret, sapphire, opal, silver, gold, bronze. The men’s mainstay of black and brown occasionally branched out into silver or mid grey, tan and, blue.
I used every opportunity to try on ladies and men’s shoes that took my fancy. I fell into the role of clown, parading around the stock rooms, much to the delight of my coworkers.
We purchased our own uniforms. Males wore a suit with shirt and tie. My female counterparts an outfit selected by the floor supervisor, a tall slim, Miss Dixon. It changed twice per year and did not suit all body shapes.
A condition of our service was the wearing of a pair of ‘shop shoes’ from the company’s range for six months. They were not allowed to leave the premises. Our bags were checked every time we went out. We paid a quarter of the retail price. I chose a £100 pair of tan Moreschi tasselled half brogue loafers with a grosgrain vamp.
During my time there, I attended a course on fitting children’s shoes in Norwich at the Startrite factory so that I could assist during busy back to school periods.
My work mate, Tracey ‘ace face’ Melling ran the children’s department on the mezzanine. Outside work, a goth with backcombed hair, ripped black clothing, and black, white, and purple makeup. Each day, Tracey drew on eyebrows after arriving late to work. I still smile at the thought of the surprised faces of children and parents looking at Tracey without eyebrows or with only one drawn on.
Tracey was hugely creative. During a quiet period, Tracey drew pencil sketches of pigs wearing R&B shoes on the back of Clarks packing labels. I was gifted with the sketches which I copied to paint corresponding watercolours.
I began at R&B during the period of the Autumn/Winter uniform of black skirt and dark raspberry blouse.
Spring/Summer followed, Capri skirt with blouse of splodges of blue, pink, and green.
Fully utilising a 25% discount, my shoe collection grew to include leather soled and lined canvas shoes in two tone blue and in fawn; polished burgundy, black, dark brown, and dark fawn suede brogues, tan boxer boots, the list goes on. Only the Moreschis remain.
My mother recounted to me, relatives emigrated to the US in the 19th and 20th centuries including, my second cousin five times removed, Benjamin Woodhouse.
Benjamin went to live in Chicago, Cook County, Illinois.
His son, Frank Lincoln Woodhouse, daughter, Mary Jane, and son-in-law, Fredrick William Hewins worked at the old Little Falls Laundry, Little Falls, Passaic County, New Jersey in 1942.
Apple maps
At that time, they lived together at 354 Mount Prospect Avenue, Clifton, Passaic, New Jersey, USA. I wonder if this is the house they lived in.
The term bathos was introduced to me during an English language lesson in the late seventies at secondary school. Never in a million years, did I anticipate living bathos last Sunday afternoon and evening.
Having enjoyed and celebrated, the most sublime live acoustic guitar music and vocals from Matt and Zane, Acoustic Guitar Bros at the Wickham Hotel, Brisbane we were catapulted into the ridiculous world of ‘Balls Out Bingo ….. Not Your Nanna’s Bingo’, hosted by Candy Surprise.
A book of games costs $15, $5 of this is donated to the Brisbane Hustlers, a gay and inclusive rugby union football club. A cheque for $4,000 was presented to them on the night.
My initial, if somewhat snobbish reaction soon evaporated as we participated in the most hilarious interactive experience we have enjoyed in decades. It included singing along, dancing, and throwing coloured lightweight plastic balls around.
Members of the Hustlers team assisted in keeping track of the bingo balls and removed articles of their kit to the bawdy hoots, whistles, and applause from the crowd.
The following self observations led me to take an online Obsessive Compulsive Disorder quiz; I have possible signs of OCD.
I avoid looking at advertising and signage unless I absolutely have to because my subconscious annoyingly, urges me to examine and read ad nauseum.
At work I attempt to clear all of my emails and red work items every day, answer and return every call. Failure to do so, I believe is a sign of not being in control.
I check the bank balance and the level of Saltwater Creek frequently every day.
We have floor tiles throughout the house. I assume they are imitation slate due to their dark colour and random repetition. When seated, I have to consciously stop gazing at them. Patterns form into spectral images: a faceless being wearing a jauntily placed broad brimmed hat and an off-the-shoulder bawdy bodice. Ghastly eyeless grinning orbs on stalks. Sea creatures emerging and vanishing. Duck bills, frost, damp.
There is a rap song I like, First Class by Jack Harlow, why do I hear butt crack up in the sky, a for the arse?