The ovoid watercolour from yesterday with the rock and cooking salt still attached.
As I am running low on paper and this work is experimental, I used the back of another painting. The surface is smooth rather than textured. I did not stretch the paper resulting in a pleasing undulation.
I seldom use these orange, green, and gold colours. I have run out of my favoured two yellows, and the two blues and mossy green are running low.
A vote of two at home resulted in a decision to leave as much salt as would stay in place after tapping and tipping. Below is the result.
Your satin coarseness stimulates my digit tips. My nervous system fires, enflaming forearms, cheeks, And, back of my throat tickles…..nails down a chalkboard; Irritation, balanced with gratification.
My lips enjoy your silkiness afore sipping.
Thank you, from your admirer, theINFP.
Apple podcast search theINFP to listen to me reciting the poem below:
When my husband ran an AirBnb from home the listing mentioned our pictures and artefacts having a tale to tell.
Before I emigrated to Australia my dear Australian friend P.M.S formerly P.M.M caught up with me in the UK. We visited one of my early boyfriend’s parents, Hazel and Bill in Solihull.
As a naive 20 year old from a working class family, north of the borough, Birmingham, I knew my place as their social inferior.
My trips to see them usually involved the upmost politeness and decorum. I felt common and clumsy in their presence. I would sit in the same place on the sculpted green draylon sofa, the same spot where I was shown to sit, the first time I met them. I was introduced as a ‘friend’ of their son.
I would not dream of wandering about the hallowed halls of their abode or handling the ornaments and family pictures on the mantle piece.
I vaguely recall P. and I dining with them. I vividly remember my anxiety levels stepping up from mildly uncomfortable to extremely stressed with each step P. took around the lounge room, picking up the objet d’arts for a closer inspection and quizzing the hosts on who the silver framed smiling faces were.
P. and I had many exciting adventures together including a few trips to Liberty of London.
It was love at first sight when I saw a dark polished timber, queen sized sleigh bed with octagonal cane infill panelled head and foot boards. We agreed it was truely a piece of furniture to aspire to.
In one of the sales, I bought two table lamps, one with a very 1980’s silhouette; wide shouldered and narrow bottom in an off-white glaze flecked with apricot and green. The other, a ginger jar shape with an orange peel texture in dark apricot. Both had lift off coolie shaped narrow pleated cream silk shades, tops and bottoms trimmed with velvet; trés glam!
We still have the latter of the two lamp bases pictured above. I refinished it with acrylic paint during my gilding phase in the early 2000s. Paired with a gold foil lined black shade it anchors the French Empire themed dining tableau.
I feel slightly dirty, tainted from being drawn into binging Byron Baes on Netflix. The mostly self interested, egotistic personalities are at first cringeworthy. Skewed perspectives, judginess, assumptions about the actions and desires of each other, and much throwing of under the bus served as the catalyst to wanting to see how events play out.
One of the reality show’s stories follows musician and singer, Sarah moving across the state border from Goldie to be among fellow creatives in Byron Bay.
Sarah inadvertently causes friction while ping ponging from Nathan to Elias to Nathan. Elias confirms Nathan’s reputation of being a ‘fu#k boy’ to Sarah. Nathan is unwilling to accept this insight from one of his bros.
Elle, Nathan’s housemate, cattily describes Sarah as fake. When challenged by friends, she flatly denies the comment, changing it to not being authentic.
It appears never the twain shall meet where conformity is required to fit in with the floaty neutral set of Byron’s female upper echelon. Sadly for Sarah, the colourful, loud, figure hugging attire of the Gold Coast is seen as fake.
There I am thinking, we are evolved enough to be able to celebrate diversity, self expression, and authenticity.
Last evening I noticed the sunset transforming the metal trim on buildings into golden bands of light. I was not quick enough to capture the moment, however as I neared home I caught the sun dipping below the horizon.
I walk past this inspiring artwork many times every day in UNSW Australia, Sydney. I rarely stop to take in the colours, images, shadows or think about its meaning. This in itself is a lesson for me; my mind often is elsewhere rather than here and now. I appreciate the artist, David Cheah’s words and images and can draw comparisons with my own journey.
You can find out more information about David and his work at:
Once came a man with head of greed,
High and mighty upon his steed.
Bewitched was he by ancient glades,
Of purple caps and orange blades.
While here he learned that riches sought
Are worthless when life is so short.
Homeward bound his heart filled with gold,
A new perspective to be told.