Period dreams

A gift from my husband in 1995, includes a directory of businesses.

Period dreams
Of parlour scenes,
Of unseen teams of seams,
Of ruffles, tucks, and pleats,
And buffed beeswax scent.
Ceiling traces chandelier shadows
Of sweeping curlicue swirls.

‘Neath Corinthian cornice,
Spiralling spires sneak
Up Lincrusta frieze,
Silent sentinel to
Crackle-popping hearth’s
Radiance, dancing
Upon glazed sage tiles, landscapes,
and portraits, hung high and low.
Either side, old-gold-braid-framed moss velvet wingbacks slouch;
‘Twixt them purple paisley poufs pout.

Candelabra twirling fronds furl,
Atop antique raspberry damask swathed mantel.
Eternally Diana hunts above dado,
Reflected in gilt encased overmantel.

Behind the bullion-fringed ivory brocade chaise,
Fenestra layered by blinds and voile,
Interlined Sanderson rose chintz drapes snuggle beneath
Shrugging swags into tails.
Against north’s icy past.

Dark oak polished parquet
Washed by apricitic ruby, emerald, amber lights
Borders muted-toned chinoiserie rug.

Panelled portal: a glimpse of
Hands-‘n’-knees scrubbed,
Geometric Victorian-tiled moiré-striped hall,
Echoes heaven’s strain of “Twist again like we did last Summer”.

Bauble reflections

Harrods, or H. A. Rods, Victorian-esque decaying decadence from my twenties full of naivety, hope, bon vivre, and pretensions. Sanguine to the point of oblivion.

Leather clad, muscled, merman purchased in my gay abandon forties. Discovered, I was part of the watery feelings clan with body issues; lacking self discipline to change. Hopes and dreams are mostly possible.

Rainbow bauble, bought this year. A fully formed fairy, not far off sixty; should have, could have, would have. Accepting my authentic self and life’s reality.

Happy holiday, warmest {{{HUGS}}, and a joyous 2022.

62 Queens Street

Grand Victorian building, dwarfed by surrounding office blocks. It is hidden in plain sight when walking along pedestrianised, Queen Street Mall from George to Albert streets.

The following description appears on Remax website.

62 Queen Street is a 3 storey heritage commercial building that was constructed c1883 for Colonial Mutual Life Assurance Society.

Designed in the Gothic Style by one of Brisbane’s foremost Architects of the time Richard Gailey, the property is a fine example of commercial buildings during Brisbane’s transition as a former penal settlement.

The second picture circa 1895, shows the narrow building with spire, flag pole, attic rooms and chimneys.

Presumably, they were removed at the same time the original Brisbane Town Hall was demolished

Albert Street Uniting Church, Brisbane

Designed by Australian architect and artist, George Henry Male Addison (1857-1922), Albert Street Uniting Church was completed in 1889.

The warmth of the terracotta bricks of this Victorian Gothic Revival church contrasts beautifully against the blue sky, reflected in the glazed building behind.

Situated near a busy intersection where Roma Street meets Ann Street. It shares a link to the past under City Hall’s watchful eye, located diagonally across King George’s Square.