The Demon Barber of Fleet Street

I find it amusing the path our lives take, in my case largely unconsciously. A benefit of aging is being able to review and share threads of the journey.

On this Thursday commute, I’m listening to the original 1979 Broadway cast recording of Stephen Sondheim’s musical adaptation of Christopher Bond’s play Sweeney Todd on Spotify. Len Cariou and Angela Lansbury star as lead characters Benjamin Barker and Mrs Lovett.

My fascination with the darkness of humanity as described in books began as soon as I was old enough to venture to a public library, unaccompanied by an adult. My junior years were spent engrossed in tales of Egyptian reincarnation, vampires, hauntings, ghosts, the supernatural, and witchcraft.

I fondly remember multiple borrowings of the above hardback, The Dracula Myth by Gabriel Ronay, 1972* from Harborne Library. It introduced me to 15th century, Vlad III (Dracul), ruler of Wallachia, in modern day Romania. He ordered two Turkish envoys be impaled because they refused to remove their turbans, and 16th century, Hungarian Countess Elizabeth Báthory who bathed in the blood of virgins to keep her youthful looks.

In the ‘70s, whilst holidaying with my family in the Channel Islands, I devoured the contents of the above paperback, a memoir of ‘Edward Paisnel, a predatory paedophile nicknamed the Beast of Jersey, who was convicted in 1971 for an 11-year reign of terror. Paisnel believed himself to be the reincarnation of Gilles de Rais, and committed his crimes in the bizarre outfit depicted on the cover of this 1972 biography by his wife Joan’**.

In 1984, after completing four years at college in Worcester and Blackpool, I returned home to Droitwich Spa, completely disillusioned by the prospect of a career working in hotels. I was successful in gaining retail employment at Russell and Bromley in Worcester. It was here, I met my dear singer friend, Georg.

By then Sweeney Todd had opened in London. Georg sat me down to watch a video of this performance. I was absolutely entranced by it. I still have a CD of the original cast recording from Broadway.

My husband and I have thoroughly enjoyed seeing Sweeney Todd a couple of times at the Sydney Opera House. We also enjoyed the movie version with Johnny Depp as Sweeney and Helena Bonham-Carter as Mrs Lovett.

For me, the staged production of Sondheim’s version of this melodramatic gothic thriller will never lose its appeal.

*picture and description sourced from AbeBooks website https://www.abebooks.com/book-search/title/dracula-myth/author/gabriel-ronay/

**picture and description sourced from Good Reads website https://www.goodreads.com/book/show/3149803-the-beast-of-jersey

The magic of music

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What is music but a collection of sounds and vibrations? For me it is more than that, it is two letters away from magic. At a personal level it has the power to bring pleasure, connect people together, invoke emotions and memories. Collectively it can represent a sense of belonging and national pride. It is inclusive of all age groups and generations.

Childhood
My first memory of classical music was filing into assembly at Welsh House Farm Junior and Infant School to the sound Greig’s Peer Gynt and Holst’s Planet Suite with background crackles and pops of mono vinyl recordings, it was the late 1960s after all.

Count Dracula
My appreciation of music grew during my time at secondary school in the ’70s. I remember a formative moment aged 11, as if it were yesterday of being totally captivated by Camille Saint-Saëns’ Danse Macabre. Mr Lancaster, our teacher asked us to draw what we heard. I’m sure he told us the story behind the piece as I drew a churchyard scene at night, including graves opening, skeletons appearing and a cockerel heralding the dawn. This experience resonated with me on so many different levels as I had an unhealthy fascination with horror stories and the legends of Vlad the Impaler.

An unholy din
I drove my family to the brink of despair with my attempt at learning to play the violin. Even today I am convinced that the peripatetic teacher disappeared suddenly as a result of the squeals, squawks and squalls from an instrument that in the right hands can bring joy and sadness to listeners.

Knowing my limits
I accept the fact that my musical talents are limited so I have settled into the role of appreciator. Luckily for me Birmingham City Library had a huge collection of vinyl recordings that I took full advantage in borrowing. It was a special moment after a couple of decades and living a dream that I saw Puccini’s Madame Butterfly and Holst’s Planet’s performed at the Sydney Opera House.

Even now I’m carried along on the waves of the sound of the strings when listening to Barber’s Adagio, the mournful troughs and sweeping crescendos connect with my spirit. The magic of music has been part of my world for as long as I can remember, it brings me peace.

One Little Candle Burning Bright

Taking flight

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It is a while since I have flown in my dreams. I would often soar and hover at will; I wonder if this is common for those born of a cardinal air sign?

When I exercise, I listen to podcasts compiled by DJ Kam Shafaati http://liquidlogic.podomatic.com/, a waking alternative to my night flights.

A ball of energy forms deep within my being. As the beat and richness of the music rises and falls the power within me expands and contracts. When the track reaches a crescendo a feeling of exhilaration moves up through my body until there is an outward surge of power. The faster the tempo, the harder I work out. This set me up for the day ahead.